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andrew burgess造句

例句與造句

  1. The 1883 Burgess rifle was designed and patented by Andrew Burgess, an American firearms designer and photographer, who sold the design to Colt.
  2. "' Alec Andrews Burgess "'( 2 January 1906 & ndash; 20 November 1990 ) was an batsman who was a leg break bowler.
  3. musicOMH's writer Andrew Burgess wrote that the album was composed of " obligatory ballads " and used " Stephen " as an example, saying it has " Kansas-style vocal harmonies ".
  4. She said, " You don t know if they re going to be able to capture your voice the same way that you captured it yourself . " Andrew Burgess of musicOMH criticized West's " lackadaisical and disappointing appearance " on the remix.
  5. Andrew Burgess of musicOMH said that the album's production is " a perfect counterpoint to Keys'voice, and the sentiment she's trying to convey ", while calling the album one of " the best pop albums of 2009 ".
  6. It's difficult to find andrew burgess in a sentence. 用andrew burgess造句挺難的
  7. Fraser McAlpine of BBC called the song " a vulnerable ode to an unreliable crush . " According to Andrew Burgess of musicOMH, the song " tells the story of that one guy Ke $ ha can't bag :'What the hell?
  8. Andrew Burgess of MusicOMH said that while " 3OH ! 3 makes a lame attempt to assert the case for male equality [ on the song ], Kesha comes off as so infectiously dominating, it's hard to take [ 3OH ! 3 ] seriously . " Mayer Nissim of Digital Spy gave the song two out of five stars, stating that it was not as catchy as her debut, slamming the lyrics for being " thick " and adding that she failed to deliver on many lines, calling them " faux-outrageous, faux-feminist trash ".
  9. But Mr . Bradley, once again wailing against the convincing grit of Menahan Street Band, sounds bolstered by all the touring he has done over the last two years . " James Reed of " The Boston Globe " said, " You hear him at the peak of his powers on the title track, whose acoustic soul reels in the band and lets Bradley tell his story, one wounded sentiment at a time . " Andrew Burgess of " musicOMH " said, " He's lived it long and hard, and with this album Bradley continues to lay out all the goodness and badness of life and love, with soul to spare . " Ryan Bort of " Under the Radar " said, " An album for the ages ."
  10. Randy Lewis of " Los Angeles Times " gave the song a positive review stating " self-confidence is in full flower in'Put It in a Love Song,'her effervescent duet with Beyonc?that has'hit single'written all over it . " Allison Stewart of " The Washington Post " stated " Keys also teams with Beyonc? the glittery Diana Ross to Keys's super-serious poetry major, for the disc's best track,'Put It in a Love Song .'[ . . . ]'Love Song'is an oddly mechanical number that lurches from diva to diva but somehow doesn't fall over . . . " Andrew Burgess of MusicOMH called it one of the album's " standout moments ", describing it as having " the Sasha Fierce brashness " and that " the always fantastic Beyonc?takes a notable backseat to Keys for a delightful and surprising change of pace ".
  11. However, Andy Gill of " The Independent " wrote that the album is " not bad, just unnecessary ", and this is because " it shifts desultorily from style to style, with songs barely hanging around long enough to state their case . " On the other hand, Andrew Burgess of musicOMH is in disagreement with that sentiment because he told that in the realm of musicality " Mala has a cohesive sound accentuated by a powerful, thumping low end and washing ( but not overpowering ) analogue synths . " In addition, Burgess noted the album is quite " subdued ", and carrying " laid-back tunes unlike anything Banhart has done before . " At " Rolling Stone ", Joe Gross noted that " Banhart seems to grab at anything that would get him out of the freak-folk box; " Mala " is smoother in its amalgamation, drifty melodies and his classic mumble recorded with gorgeously low-fi-sounding muffle . " " The Guardian "'s Kate Mossman felt that Banhart " no longer sounds particularly freaky [ . . . ] it's perfectly normal to record on vintage hip-hop equipment ".

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